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Hans (Jean) Arp (1886 - 1966)


Hans (Jean) Arp
Hans (Jean) Arp
(1886 - 1966)
      Dada Group - Founding member, Art Work
Name: Hans (Jean) Arp
Gender: Male
Place of Birth:
Nationality:
Birth: 1886
Death: 1966
Website:
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   Quick Facts
Known For: Dada Group - Founding member,
Medium:
Method:
Style: Painter, Sculptor
Fine Art Profession(s): Painter
Sculptor

Biography
Born 16 September 1887 in Strasburg. He was a Sculptor, painter and poet. Visited Paris in 1904 and was deeply impressed by the modern paintings. Went to Weimar and attended courses at the academy under Professor Ludwig von Hoffmann from 1905 to 1907. Spent some time at the Julian Academy of Paris in 1908. After that, he went to Weggis, Switzerland, where he worked for some years in solitude. Met the painters W. Gimmi, W. Helbig and Oskar Lethy with whom he founded the "Moderner Bund" ("Modern League") in 1911. Was one of the organizers of the first exhibition of "Der moderne Bund" in Lucerne, showing works by Amiet, Arp, Friesz, Gauguin, Gimmi, Helbig, Hodler, Lethy, Matisse, and Picasso. Visited Kandinsky in Munich in 1911, who requested Arp's collaboration on the book "Der blaue Reiter" ("The Blue Rider"). Contributed drawings to the Berlin periodical "Der Sturm" ("The Storm"). Co-founder of the Zurich DaDa movement in 1916. Illustrated Tristan Tzara's "25 Poems" and Huelsenbeck's "Fantastic Prayers," the latter with woodcuts which he called "Studies in Symmetry." In his reminiscenes, "Dadaland," Arp writes, "I met Tzara and Serner at the 'Odeon' and the 'Cafe Terasse' in Zurich, where we were writing a cycle of poems called 'Hyperbole of the Crocodile-Hairdresser and the Walking-Stick.' This kind of poem was later called 'Automatic Poetry.'" In 1917 he created his first abstract wooden reliefs. Exhibited at the first Zurich DaDa exhibition.

In 1919 he travelled to Cologne, and founded the Cologne DaDa group with Max Ernst and Johannes Baargeld. Contributed to the publication "Schammade," and created the "Fatagaga" pictures with Ernst. Published "Die Wolkenpumpe" ("The Cloud Pump"), a series of poems, and "Der Vogel Selbdritt" ("The Bird Thrice with Itself"), a collection of poems and woodcuts. Published, with El Lissitzky, "Isms in Art," in which he defined DaDa: "Dadaism has launched an attack on the fine arts. It has declared art to be a magic opening of the bowels, administered an enema to the Venus of Milo, and finally enabled 'Laocoon and Sons' to ease themselves after a thousand-year struggle with the rattlesnake. Dadaism has reduced positive and negative to utter nonsense. It has been destructive in order to achieve indifference."

Samples of Work
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