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Woman Taking Class at the Met Has Accident Involving Picassos "The Actor" |
| January 26th, 2010 01:35:01 am |
| | Woman Taking Class at the Met Has Accident Involving Picasso's "The Actor" | | | 
Pablo Picasso, "The Actor", 1904–05. Oil on canvas, (194 x 112.1 cm) 76 3/8 x 44 1/8 inches. The Metropolitan Museum of Art, Gift of Thelma Chrysler Foy, 1952 (52.175). Estate of Pablo Picasso/Artists Rights Society (ARS), New York.
| NEW YORK, NY (AP).- An important Picasso painting accidentally damaged by a visitor last week will be repaired in time for a large exhibition of the artist's works at the Metropolitan Museum of Art in April.
"The Actor," a painting from Picasso's rose period, will be restored at the museum's onsite conservation laboratory, the Met said Monday.
The museum described the damage as an irregular 6-inch tear to the lower right-hand corner of the painting, Conservation and curatorial experts "fully expect" that the restoration "will be unobtrusive," the museum said in a statement released Sunday.
The artwork is nearly 6 feet by 4 feet, and depicts a standing acrobat in a pink costume and blue knee-high boots striking a pose against an abstracted backdrop.
The restoration will be done in the coming weeks and the piece will be displayed as planned in an exhibition of 250 Picasso works drawn from the museum's collection, from April 27 to Aug. 1, the museum said.
The accident occurred in a second-floor gallery of early Picasso works when a patron participating in one of the museum's art classes lost her balance and fell on the canvas, the museum said.
It happened during regular visiting hours when other visitors were in the gallery. People who attend the art classes typically roam through the museum in a group stopping in front of works of interest.
"The Actor" was donated to the Met in 1952 by art patron Thelma Chrysler Foy, the elder daughter of auto magnate Walter Chrysler. The museum said it had been included in many major exhibitions of Picasso's works both in the United States and in Europe.
Picasso painted the work in the winter of 1904-05. It marked a transition from his blue period of tattered beggars and blind musicians to his more optimistic and brighter-colored rose period of itinerant acrobats in costume.
Copyright 2010 The Associated Press.
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